me and the white lash
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"We need not destroy the past it is gone" J. C.
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“Amnios”, the first video art work by me and the white lash, has been selected for the festival La voce del corpo to be held in Osnago (LE, Italy) from 8 to 23 June 2013 “Amnios”, il primo lavoro di video arte firmato me and the white lash, è stato selezionato per la rassegna La voce del corpo  che si terrà ad Osnago (LE) tra l’8 e il 23 di giugno 2013
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meandthewhitelash.org on line ?
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stefanodeponti:

Sirens And Maelström
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Shooting and editing
Stefano De Ponti 
With
Eleonora Pellegrini

___________________________

Artist: Le Gros Ballon
Album: Orange
Label: Casa Medusa
Directed by: Stefano De Ponti

© 2012

13th January

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Venezia, about 1650, Matthaeus Merian
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createsomethingoriginal: Picasso’s ‘light drawings’
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Chladni patterns obtained drowing a rosined bow across the edge of a sand-covered metal plate.
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stefanodeponti: Abstract Landscape The new album by Passo UnoComing soon
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Review / 2012 - #01 ?

Out now on The New Noise the first review of “I“ 

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Can
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Throbbing Gristle
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billyjane: Marina Abramović, Rhythm 0, 1974 To test the limits of the relationship between performer and audience, Abramović developed one of her most challenging (and best-known) performances. She assigned a passive role to herself, with the public being the force which would act on her. Abramović had placed upon a table 72 objects that people were allowed to use (a sign informed them) in any way that they chose. Some of these were objects that could give pleasure, while others could be wielded to inflict pain, or to harm her. Among them were a rose, a feather, honey, a whip, scissors, a scalpel, a gun and a single bullet. For six hours the artist allowed the audience members to manipulate her body and actions. Initially, members of the audience reacted with caution and modesty, but as time passed (and the artist remained impassive) people began to act more aggressively. As Abramović described it later: “What I learned was that… if you leave it up to the audience, they can kill you.” … “I felt really violated: they cut up my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the audience. Everyone ran away, to escape an actual confrontation. photo courtesy of igoyugo , audio available @ MoMA
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<a href=”http://meandthewhitelash.bandcamp.com/album/i” data-mce-href=”http://meandthewhitelash.bandcamp.com/album/i”>I by me and the white lash</a> I by me and the white lash he tracks of this album were recorded in different moments and different places, such as home and theatre. also, some of them (tracks 1, 2, 3, 5) were purely improvised. as a result, the sound quality is not the one of a recording studio, but it preserves the freshness and genuineness of those instants in which the music was composed and performed.credits  released 12 April 2012 music by me and the white lash composed and recorded between february 2011 and march 2012 thanks to: marisa bellini, lucio mondini, emanuele crotti and the actors of “i candidi” 
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Green star Syrius stood over the sea’s rim, the island was a shadow. from “The man who loved islands”, by D.H. Lawrence
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